{"id":3425,"date":"2016-05-18T15:48:45","date_gmt":"2016-05-18T13:48:45","guid":{"rendered":"https:\/\/www.monikabulaj.com\/pl\/biografia\/"},"modified":"2025-08-04T09:26:33","modified_gmt":"2025-08-04T07:26:33","slug":"biografia","status":"publish","type":"page","link":"https:\/\/www.monikabulaj.com\/pl\/biografia\/","title":{"rendered":"Biografia"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]\"www.monikabulaj.com\"<\/p>\n

Une nuit, dans une taverne, il eut Wang-F\u00f4 pour compagnon de table. Le vieil homme avait bu pour se mettre en \u00e9tat de mieux peindre un ivrogne ; sa t\u00eate penchait de c\u00f4t\u00e9, comme s’il s’effor\u00e7ait de mesurer la distance qui s\u00e9parait sa main de sa tasse. L’alcool de riz d\u00e9liait la langue de cet artisan taciturne, et Wang ce soir-l\u00e0 parlait comme si le silence \u00e9tait un mur, et les mots des couleurs destin\u00e9es \u00e0 le couvrir. Gr\u00e2ce \u00e0 lui, Ling connut la beaut\u00e9 des faces de buveurs estomp\u00e9es par la fum\u00e9e des boissons chaudes, la splendeur brune des viandes in\u00e9galement l\u00e9ch\u00e9es par les coups de langue du feu, et l’exquise roseur des taches de vin parsemant les nappes comme des p\u00e9tales fan\u00e9s. Un coup de vent creva la fen\u00eatre ; l’averse entra dans la chambre. Wang-F\u00f4 se pencha pour faire admirer \u00e0 Ling la z\u00e9brure livide de l’\u00e9clair, et Ling, \u00e9merveill\u00e9, cessa d’avoir peur de l’orage. \u00a0Marguerite Yourcenar, „Comment Wang-F\u00f4 fut sauv\u00e9”<\/em>[\/vc_column_text][vc_separator color=”juicy_pink”][vc_column_text]<\/p>\n

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\"MONIKA_BULAJ_2015.1\"<\/p>\n<\/div>\n

Monika Bulaj \/ Bu\u0142aj, ur. 1966, jest niezale\u017cn\u0105 fotografk\u0105, reporterem, pisark\u0105, autork\u0105 film\u00f3w dokumentalnych, cz\u0142onkiem TED oraz nauczycielem reporta\u017cu, wyk\u0142adowc\u0105 akademickim i kuratork\u0105. \u00a0<\/span><\/div>\n
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Adjunct Lecturer na na wydziale antropologii uniwersytetu Suor Ursula Benincasa w Neapolu, prowadzi wyk\u0142ady interdyscyplinarne na Uniwersytecie degli Studi w Perugii, na Wydziale Teologii P\u00f3\u0142nocnych W\u0142och w Mediolanie, na Uniwersytecie w Trie\u015bcie itd.<\/div>\n
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Studiowa\u0142a filologi\u0119 polsk\u0105 na Uniwersytecie Warszawskim, oraz teatr awangardowy i taniec we W\u0142oszech.\u00a0 Uczestniczy\u0142a w zaj\u0119ciach grupy Gardzienice oraz w warsztatach teatralnych trupy Petera Brooka i Commedia dell\u2019Arte <\/i>Claudii Contin,\u00a0 studiowa\u0142a taniec na Bali, taniec wsp\u00f3\u0142czesny i wu-shu. Do 2002 roku pracowa\u0142a jako re\u017cyser teatralny, nauczycielka, aktorka, tancerka i choreograf.\u00a0<\/span><\/div>\n
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Bada duchowe kresy Azji, Afryki, Ameryki \u0141aci\u0144skiej i Europy Wschodniej. Publikuje m. in. w „Granta Magazine”, „National Geographic”\u009d,GEO”\u009d,\u00a0 „La Repubblica”\u009d, „Corriere della Sera”\u009d, „Courrier International”\u009d, „Revue XXI”\u009d, „The New York Times”, „The Guardian”, „TIME”.<\/span><\/div>\n

Autorka m. in. ksi\u0105\u017cek: „Libya Felix (Mondadori), „Figli di No\u00e8”\u009d (Frassinelli), „Rebecca e la pioggia”\u009d (Frassinelli), „Gerusalemme perduta”\u009d z Paolo Rumizem (Frassinelli),”Genti di Dio”\u009d (Frassinelli, Postcart), „Bo\u017cy ludzie. Podr\u00f3\u017c po kres Europy”\u009d (Bosz), \u201cNur. La luce nascosta dell’Afghanistan”\u009d (Electa Mondadori), „Nur. Zapiski afga\u0144skie” ( National Geographic), „Where Gods Whisper” w j\u0119zyku angielskim i w\u0142oskim w wydawnictwie Contrasto. W\u0142oskie wydanie ksi\u0105\u017cki \u201cNur\u201d zosta\u0142o wybrane przez Time w 2013 jako jedna z najlepszych ksi\u0105\u017cek fotograficznych roku.\u00a0<\/span><\/div>\n
Re\u017cyserowa\u0142a film dokumentalny „Figli di No\u00e8\/Dzieci Noego”\u009d o Azerbejd\u017canie, napisa\u0142a scenariusze do film\u00f3w dokumentalnych, w tym filmu „Romani rat\/Noc Rom\u00f3w”\u009d (2002), w re\u017cyserii M. Orlandi, o Holocau\u015bcie Rom\u00f3w.<\/span><\/div>\n
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Monika wyk\u0142ada na uniwersytetach i w szko\u0142ach, w wi\u0119zieniach i klasztorach, jest zapraszana na konferencje TED Global, News Exchange, Les Tribunes de la Presse, podr\u00f3\u017cuje z konferencjami miastach i wioskach w\u0142oskiej prowincji, prowadzi warsztaty fotograficzno-reporterskie „Creative Nonfiction\/Writing the Reality\u201d i projekty kuratorskie\u009d.\u00a0<\/span><\/div>\n
Wr\u00f3ci\u0142a do teatru w 2010 roku, by prezentowa\u0107 na scenach W\u0142och, Polski i Francji reporta\u017ce na \u017cywo <\/i>(teatr dokumentalny) <\/i>oraz by uczy\u0107 dzieci enklaw i gett teatru, ta\u0144ca oraz fotografii.<\/span><\/div>\n
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Jej\u00a0 wystawy – fotografie i opowie\u015bci – eksponowane by\u0142y m.in. w Pa\u0142acu Dod\u017c\u00f3w w Wenecji; Palazzo delle Esposizioni w Rzymie; w San Malo podczas festiwalu podr\u00f3\u017cnik\u00f3w Etonnants Voyageurs; w Kairze, pod patronatem rz\u0105du w\u0142oskiego; na Zamku w Otranto przy mi\u0119dzynarodowym sympozjum Negba zorganizowanym przez \u017cydowsk\u0105 wsp\u00f3lnot\u0119 W\u0142och; w Muzeum \u017bydowskim w Bologni i Trie\u015bcie. Wystawa „Aury” zosta\u0142a eksponowana przez Watykan podczas konferencji mi\u0119dzywyznaniowej o Chrystusie w Rzymie oraz Asy\u017cu. Jej fotografie znajduj\u0105 si\u0119 w Kolekcji Leica i w prywatnych zbiorach na ca\u0142ym \u015bwiecie. Wsp\u00f3\u0142pracuje z radiem i telewizj\u0105, Repubblica TV, Rai TV Educational, itd.<\/span><\/div>\n
Laureatka nagr\u00f3d w dziedzinie fotografii i literatury, m.in. Narodowej Nagrody Non-violenza<\/i>\u009d: „za jej prac\u0119 fotografki, reporter i dokumentalistki, za pokazanie skutk\u00f3w wojny, i badanie umys\u0142u cz\u0142owieka, jego g\u0142odu religijno\u015bci, czu\u0142o\u015bci i godno\u015bci. MB czyni niewidzialne widzialnym, tworz\u0105c obraz jedno\u015bci ludzkiej rodziny.”<\/span><\/div>\n
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KONTAKT<\/b><\/p>\n

monikabulaj(at)gmail.com;\u00a0geografiesommerse(at)gmail.com<\/p>\n

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\n

KSI\u0104\u017bKI<\/b><\/p>\n

\u2022 „Memories, Recurrences and Amnesia\u201d, in: Uysses Europen Odyssey, UEO Consortium, in collaborazione con LETS,\u00a0 <\/span>Museo di Letteratura di Trieste, 2025<\/p>\n

\u2022 Geografie sommerse (print: EBS Verona, Italy 2023)<\/p>\n

\u2022 Where Gods Whisper\/Dove gli dei si parlano\u00a0 <\/span>(Contrasto, Italy 2017, in English and Italian)<\/p>\n

\u2022 Nur. Zapiski afga\u0144skie\/Nur. Afgan Notes\u00a0 <\/span>(National Geographic, Poland 2017)<\/p>\n

\u2022 Nur. La luce nascosta dell’Afghanistan\/Nur.The Hidden Light of Afghanistan (Electa Mondadori, Italy 2013)<\/p>\n

\u2022 People of God, a Travel into Another Europe (Postcart, Italy 2012)<\/p>\n

\u2022 Bo\u017cy ludzie. Podr\u00f3\u017c po kres Europy\/People of God, a Travel into Another Europe (BOSZ, Poland 2009)<\/p>\n

\u2022 People of God, a Travel into Another Europe (Frassinelli, Italy 2008)<\/p>\n

\u2022\u00a0 <\/span>Rebecca e la pioggia\/Rebecca and the Rain (Frassinelli Italy 2007)<\/p>\n

\u2022 Figli di No\u00e8\/Sons of Noah (Frassinelli Italy 2006)<\/p>\n

\u2022 Gerusalemme perduta\/Jerusalem Lost, with Paolo Rumiz (Frassinelli Italy 2005)<\/p>\n

\u2022 Women, stories (Alinari\u00a0 <\/span>Italy 2004)<\/p>\n

\u2022 Libya Felix (Bruno Mondadori 2002)<\/p>\n

and others books and catalogues<\/p>\n

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NAGRODY I NOMINACJE<\/b><\/p>\n

\u2022 Journalism Fund Europe, grant for investigative Cross-Border Journalism, 2025<\/p>\n

\u2022 IPA 2023, Lucie Awards, Los Angeles, 3rd winner documentary book<\/p>\n

\u2022 The Leica International Society 2022 grant winner, Ireland<\/p>\n

\u2022 Premio Montale Fuori di Casa, Sezione Giornalismo Fotografico, 2022, Italy<\/p>\n

\u2022 Nomination for the Luxembourg Art Price 2021<\/p>\n

\u2022 Nomination for National Geographic Society’s Storytelling Fellowship, USA 2020<\/p>\n

\u2022Travel grant from Pulitzer Center on Crisis Reporting, USA 2019<\/p>\n

\u2022Virginia Quarterly Review Prize for Photography, USA 2019<\/p>\n

\u2022 Leonian Award\/ W. Eugene Smith grant in Humanistic Photography, USA 2018<\/p>\n

\u2022 Nomination for the Prix Carmignac \u2018The Amazon\u2019 2018<\/p>\n

\u2022 Nomination for Award ANI – PixPalace 2016<\/p>\n

\u2022 Nomination for Visa d’Or Daily Press 2015<\/p>\n

\u2022 The National Non Violence Award 2014 (First woman to be given this award)<\/p>\n

\u2022 Catchlight, the honourable mention in the Professional Category 2014<\/p>\n

\u2022 Premio Citt\u00e0 di Trieste al Reportage 2012<\/p>\n

\u2022 Tomizza award 2012<\/p>\n

\u2022 Nomination for Beata Pawlak Award 2011<\/p>\n

\u2022 Lucchetta Grant 2011<\/p>\n

\u2022 TEDGlobal Fellowship 2011<\/p>\n

\u2022 The Aftermath Project Grant Winner 2010<\/p>\n

\u2022 Bruce Chatwin Special Award for Photography \u201cAbsolute Eyes\u201d 2009<\/p>\n

\u2022 Grant in Visual Arts sponsored by the European Association for Jewish Culture 2005<\/p>\n

 <\/p>\n

WYSTAWY<\/b><\/p>\n

2025: \u00a0Mostra di Urban Art,\u00a0„Cavalli Eretici”,<\/em>\u00a0di Monika Bulaj, commissionata da\u00a0\u00a0Fondazione Antonio Presti Fiumara d’Arte, Triennale della Contemporaneit\u00e0,\u00a0Monumental Open-Air Museum Magma, Librino (Catania), Sicily.<\/p>\n

2024: Nur. appunti afghani, Lignano, Italia<\/p>\n

2023: Geografie sommerse<\/em><\/a>, Magazzino delle Idee, Ente Regionale per il Patrimonio Culturale del FGV, Trieste,\u00a0Italia<\/p>\n

2023: Nur. La luce nascosta dell’Afghanistan<\/em>, Palazzo Ducale, Genova,\u00a0Italia<\/p>\n

2023: Ai confini del sacro<\/em>, \u00a0Circolo Tina Modotti, Bolzano, Italia<\/p>\n

2022: Broken Songlines, Festival Fotografico Europeo, Busto Arsizio, Italy<\/p>\n

2022: In the shadow of the Baobab. Emergency and the beauty of the care. Milan and Venice and IMP-Festival -International Months of Photojournalism Padova, Italy<\/p>\n

2021: Broken Songlines,<\/em> Fotografica, Bergamo, Italy<\/p>\n

2020: Broken Songlines,<\/em> Festival Isole che Parlano, Palau, Sardegna, Italy<\/p>\n

2019: Broken Songlines<\/em>, Festival della Fotografia Etica, Lodi, Italy.<\/p>\n

2018:\u00a0Nur. Afghan Diaries, <\/i>Ancona Photo Festival, Italy.<\/p>\n

2017: Where Gods Whisper\/Sacred Crossings<\/i>, Centre Europ\u00e9en de Cr\u00e9ation et de Production, France. Nur. Afghan Diaries<\/i>, Reggia of Colorno and Exhibition for Emergency, Brescia, Italy. Eyes on Main Street<\/i>, Wilson Outdoor Photo Festival, USA.<\/p>\n

2016: Nur. Afghan Diaries<\/i>, ANI Pixpalace Award, Paris. Sacred Crossings<\/i>, The Grotowski Institute, Wroc\u0142aw. Nur. Afghan Diaries<\/i>, Lugano, Switzerland.<\/p>\n

2015: Where Gods Whisper<\/i>, Milano, Italy. Haiti of the Souls<\/i>, Visa Pour l’Image, Perpignan, France.<\/p>\n

2013: Auras<\/i>, Assisi, Italy. Nur. The hidden light of Afghanistan<\/i>, Paris.<\/p>\n

2012: Target Afghanistan, the land beyond the war<\/i>, Palazzo delle Esposizioni, Rome. People of God<\/i>, Balkan and Caucasian Observatory, Trento. Nur. Afghan Diaries<\/i>, Il salone degli Incanti, Trieste. Auras<\/i>, Festival on The Move, Cortona, Italy. Gens du Dieu, Le voyage en Autre Europe<\/i>, San Mal\u00f2, France. People of God<\/i>, Festival Poiesis, Fabriano, Italy. The meaning of life<\/i>, Palazzo delle Esposizioni, Roma, National Geographic Italia. Through Our Lens: Photographers Reflect on Empowerment<\/i>, 25 Central Park West Gallery, New York.<\/p>\n

2011: Nur<\/i>, Officine Fotografiche, Rome. Auras<\/i>, Venice. Russia 2009<\/i>, Saint Petersburg. Nur<\/i>, Palazzo Ducale, Venice. Room 16: „Religions in Trieste”<\/i> Centre de Cultura Contempor\u00e0nia de Barcelona, Barcelona.<\/p>\n

2010: Auras<\/i>, Villa Pomata, Sardinia, Italy.<\/p>\n

2009: Auras<\/i>, Castello di Otranto, Italy. Vertical Europe<\/i>, Palazzo Ducale, Genoa. Elia\u2019s Journey<\/i>, Festival della Storia, Gorizia. The Reverse Gerund<\/i>, Rubiera, Italy. Elia\u2019s Journey<\/i>, Jewish Museum, Trieste. People of God<\/i>, Katholische Akademie in Bayern, Munchen, Germany.<\/p>\n

2008: People of God<\/i>, Galleria BelVedere, Milan. Auras<\/i>, Sama Khana, Cairo, Egypt. Rebecca and the rain<\/i>, Antichi Chiostri, Turin. Auras<\/i>, Palazzo Blumenstihl-Istituto Polacco, Rome. Auras<\/i>, ex Monastero dei Benedettini, Catania, Italy.<\/p>\n

2007: People of God<\/i>, World Social Agenda, Bolzano. Rebecca and the Rain<\/i>, Verona and Genoa. People of God<\/i>, Centro Candiani, Venice; Biblioteca Classense, Ravenna; Palazzo Ducale, Genoa. Rebecca and the Rain<\/i>, Basilica di S. Petronio, Bologna.<\/p>\n

2006: Sons of Noah<\/i>, Porta Sant\u2019Agostino, Bergamo. People of God<\/i>, Palazzo Geremia, Trento.<\/p>\n

2005: Women, stories<\/i>, Palazzo Medici Riccardi, Florence. People of God<\/i>, Italian Institute of Culture, Colonia. People of God<\/i>, Asti. People of God<\/i>, Museo Civico, Reggio Emilia. The Return on the Don<\/i>, Strehler Theatre, Milan. Le ha ma la ya<\/i>, Rome. People of God,<\/i> Remembrance Day, Milan.<\/p>\n

2004: People of God<\/i>, Galleria Nazionale d’Umbria, Perugia. People of God<\/i>, Teatro Sociale, Bergamo. Menschen Gottes<\/i>, Langer Foundation, Bolzano. People of God<\/i>, Europe and the Balkans International Network University of Bologna, Forl\u00ec. People of God<\/i>, Polish Institute, Sofia, Bulgaria.<\/p>\n

2003: People of God<\/i>, Polish Institute, Budapest, Hungary.<\/p>\n

2002: People of God<\/i>, Polish Institute, Rome. Martinka gipsy and other stories<\/i>, Turin.<\/p>\n<\/div>\n<\/div>\n

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[vc_row][vc_column][vc_column_text] Une nuit, dans une […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-boxed.php","meta":{"footnotes":""},"yoast_head":"\nBiografia - Monika Bulaj<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.monikabulaj.com\/biografia\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Biografia - Monika Bulaj\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][vc_column_text] Une nuit, dans une […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.monikabulaj.com\/biografia\/\" \/>\n<meta property=\"og:site_name\" content=\"Monika Bulaj\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/m.bulaj\" \/>\n<meta property=\"article:modified_time\" content=\"2025-08-04T07:26:33+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.monikabulaj.com\/wp-content\/uploads\/2016\/05\/L1003120BULAJBASSA-300x135.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data1\" content=\"8 minut\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.monikabulaj.com\/biografia\/\",\"url\":\"https:\/\/www.monikabulaj.com\/biografia\/\",\"name\":\"Biografia - Monika Bulaj\",\"isPartOf\":{\"@id\":\"https:\/\/www.monikabulaj.com\/#website\"},\"datePublished\":\"2016-05-18T13:48:45+00:00\",\"dateModified\":\"2025-08-04T07:26:33+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.monikabulaj.com\/biografia\/#breadcrumb\"},\"inLanguage\":\"pl-PL\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.monikabulaj.com\/biografia\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.monikabulaj.com\/biografia\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.monikabulaj.com\/pl\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Biografia\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.monikabulaj.com\/#website\",\"url\":\"https:\/\/www.monikabulaj.com\/\",\"name\":\"Monika Bulaj\",\"description\":\"Photo essays, reportages, documentary film and blog - from Afghanistan, Tibet, Caucasus, Balkans, Africa, Iraq, Turkey, Iran, Haiti, Russia, Siria\u2026\",\"publisher\":{\"@id\":\"https:\/\/www.monikabulaj.com\/#\/schema\/person\/89e8ed6fbdff803bde768d71217112d2\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.monikabulaj.com\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"pl-PL\"},{\"@type\":[\"Person\",\"Organization\"],\"@id\":\"https:\/\/www.monikabulaj.com\/#\/schema\/person\/89e8ed6fbdff803bde768d71217112d2\",\"name\":\"monikabulaj\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/www.monikabulaj.com\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/943bbcc939df37deb13813241025480f?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/943bbcc939df37deb13813241025480f?s=96&d=mm&r=g\",\"caption\":\"monikabulaj\"},\"logo\":{\"@id\":\"https:\/\/www.monikabulaj.com\/#\/schema\/person\/image\/\"},\"description\":\"Fotografa, reporter, documentarista, Monika Bulaj (Varsavia, 1966), lavora sui confini delle fedi, minoranze e popoli nomadi a rischio, in Eurasia, Africa e nei Caraibi. 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